Melting Pots

Apollo and Dafne (particular)

I have always used materials like a director, like a theatrical prop-man, like a narrator of stories and tales; working by memory, seeking to create pathways, labyrinths where I can encounter a visitor/spectator and then become lost, both of us, within the work itself, physically as well as psychologically, in the plurality of perspectives and intricacies of the matter or the suggested indications.

In forty years I have used fabrics, wood, paper, words, water (many times), light, photography, metals (including: iron, bronze, steel, copper, silver, brass, aluminium, lead, cast iron, ormolu and also gold but very little, as I have followed other paths, mixing the materials in my melting pots), porcelain, ceramics, terracotta, refractory brick, slips, glass, mirror, plastic, (including polyester, polyurethane, polymethyl metacrylic, PVC), marble (granite, sandstone, gneiss, slate), materials glossy and opaque, objects found and transformed by soldering, fusing, embossing, assembling; I have always been fascinated by colour and have succumbed to the temptation of painting, using gloss, oils, temper, watercolours, acrylics, pastels, chalk, collage. Whenever possible, I practised engraving, including lithography, silk-screening, dry-point, etching, aquatint,....and also sound, noise, silence and emptiness.......; electricity with motors and contraptions, designing but never depriving myself of the pleasure of restoring artistic and artisan traditions (or habits). I have used my hands and those of my friends (I have worked with Scanavino, Ferrari, Tadini, Piccoli, Sangregorio, and other artists) realising projects together.

I believe I've always sculpted through an expressive, communicative, aesthetic need for language (at times transgressing techniques) saving myself, I hope, from becoming a good professional producing artistic goods.

Working in such a dispersive way, I hope I have avoided becoming a specialist in a genre, so I don't find my studio transformed into a vast depository of artistic objects, beautifully packaged, sitting on shelves ready for sale at a predetermined future price.


edited by the Alik Cavaliere Artistic Centre Testo originale Italiano